Posts Tagged with bookmaking

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I Love Tulips!

I really love tulips with their many shapes patterns and colours. And May in my garden was filled with tulips. I first fell in love with the flower when I read about the history of tulips and my home town Bergen.

A young Doctor, Henrik Höjer, travelled to the University of Leiden, Holland to take his examen. There he met and befriended Charles de L’Ecluse. When he moved back to Bergen three years later, 1596, he brought with him many bulbs and thus introduced the tulip to Norway. He continued to receive bulbs from Charles de L’Ecluse for years to come.

There even is a tulip that only exist in Norway, named Tulipa norvegica.

So it was natural for me to use tulips as my theme for the May book. I picked up all my tulip stamps and sprayed, printed and draw tulips on a big sheet of paper:

After cutting it up and made a book of it the result is like this:

I have also working on some ideas from my design wall, trying to get together some new quilts. Back on my Dragonfly theme, this first one is a piece of paper used to blot of some printing and painting:

I thought it would be a great background for some machine embroidery, so I bonded it to wadding, and surrounded it with strips of old sari-silk. I have never used paper in my works before, so this is a try and learn. Will the paper hold all the stitching from the machine embroidery? Time will show. It is up on the design wall while I figure out how to proceed.

The next one has been waiting for a year for me to proceed. I tried to bleach the sari strips used, but it didn’t work, so I painted it instead. The dragonfly is free machine stitched, and painted as well. Now I have to deal with the background, what to do next.

As you see, they can end up well or be total failures. Time will show.

I hope you have enjoyed this glipse into my creative life.

Enjoy your summer, keep distance and be safe.

Published

Corona and spring

Two weeks ago, I were supposed to be in Stavanger for the annual meeting for the Norwegian Quilt Association. I had sendt in two quilts for the exhibition and one to the competition. Then came Corona and everything shut down. The meeting has been postponed and my two quilts for the exhibition are on their way home. My entry for the competition now awaits new time for the meeting, hopefully somtime in the autumn.

I cannot show you my quilt for the competition, but the two for the exhibition I can

This first one is called «Light and Backlight». It is in two parts, Cotton and silk, machine and hand quilted. It is a rather personal quilt, because the danser is ME! Way back in my youth!!! But still a part of my history, I danced classical ballet for about 18 years, back in the 70’s. The last years in one of those little «free» dancing groups which appeared outside the established companies at that time. I used an old photograph and traced. The grey cotton fabric, a reused sofa-cover, together with a little too soft wadding gave me some troubles. Even if the quilting is rather even it was almost impossible to get those clean straight bindings. It is too soft and I have to live with that.

My other quilt is a re-use of one of my very first, and not so good quilts from 2002.

Originaly it was my first attempt at Barghello. Last spring I decided to sacrifice it, tried first to bleach it, but the fabrics didn’t want to give up any colours. So instead I painted the background, machine-embroidered and painted the dragonfly and handstitched the background. It is based on a haiku by Matsuo Basho:

This dragonfly

can’t quite land

on that blade of grass.

We had an early spring this year, and March was filled with beautiful crocuses, so of course my March book had to be filled with crocuses. As I started by drawing, stencilling and printing.

Cut it all in pages and made myself another book:

Front
The binding
and the back

Now I have to find a theme for my April book. Wait and see….

I hope you all are well wherever you are in the world, we shall manage this. Take care!

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Looking at old ideas with new eyes.

In february I have been visiting an old friend, the beautiful Oseberg Viking ship. Here in the Viking Ship Museum in Oslo.

Following the building of the copy they made in Tønsberg some years ago, named Saga Oseberg, from the start

until it was finished

I have collected quite a lot of inspirational photos and other materials, and now I want to look at it all with new eyes. I made some new stamps,

collected some of my old stampa as well, printed them randomly on a large sheet of paper, cut it and made myself another little sketchbook:

Now as we enter March I will continue working with my Viking heritage, but I have some other plans as well.

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New year – new inspiration

Last day of January already! I started the year by finishing several projects. First, I made the last pieces for my internationel group project with TexNet2. Our first exhibition will be at the European Patchwork Meeting in Sainte-Marie-aux-Mines in September.

Next I made the finishing touches on some quilts for the Norwegian Quilters Association’s meeting in March. Unfortunately, I can not share these with you yet.

But I have also been working on some new inspiration, first, just playing around with scraps and thread, some Slow stitchhing:

I don’t know where this will lead me, time will show.

And I spent most of january studying stones in my garden, at the beach and in the neighbourhood, drawing with Fineliner and Inktense pencils. First I just filled a large sheet with random drawings:

which I then cut up and made into a little «Stone Book», with the possibility to fill in more later:

It is a small book, only 9,5×9,5 cm. But I love the format.

I have made myself a promise to publish here a little more often, I just hope I can fulfil that promise…

Lettering and Bookmaking
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Lettering and Bookmaking

I was thrilled when I saw our new challenge: Lettering. This, because I am sofascinated by the shapes of letters, from the earliest Cuneinform and Hieroglyphs, up till our time with thousand different fonts.
And comming from Norway, I am so fascinated by the exotic elegance of Arabic and Asian writing.
I have used lettering many times in my quilts, like here in our challenge: Every single day, where I used the Chinese sign for Tea:
But, the earliest form of lettering in Scandinavia, Runer, are just as fascinating. I used them in one of my quilts about our Viking-ships, here is a picture of my Design-board, where I’m trying out different texts.
And this brings me to my second topic, bookmaking. 800-1000 years ago, at the time of the Runes, there were no books in Scandinavia that we know of. Writing were done in Runes on stones or wooden sticks, Runepinner. A few of these have survived, one of the most fascinating is one tiny piece of wood, about 12-15 cm long, where the row of boats you see at the bottom was engraved. At the back of this piece of wood, were the text you see to the right. These dates to around 1250, while the text at the top left was found at the Oseberg ship and is from around 820.  

Bookmaking.
In 2010, Laura had a show in DMTV, where she talked about bookmaking, and this show opened a new world for me.  So I made my first sketchbook, filled with many kinds of paper. 


On the covers, I’ve used Silk paper I had made . On the front, I had laminated in a leaf from a plant from my garden,
and on the back, I tried to use some golden flakes:
Later, I’ve made this one, a concertina book

 The cover is lino print on cotton rag paper, and it is, as all of my books are, filled with decorated paper, photos, prints etc.
 The next is a long stitch binding, the cover is hand made paper with embedded leafs:
And this last one I made, with soft leather cover:

If you want to have a try, the videos from DMTV are in Archive Two (you have to subscribe to DMTV to get access). You can also find a few instructive pages here:
http://crafts.tutsplus.com/tutorials/bookbinding-fundamentals-long-stitch-leather-journal–craft-10754
http://www.ruthbleakley.com/blog/2011/09/mini-book-photo-tutorial/
http://www.philobiblon.com/tutorials.shtml